Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Apr 13, 2022 | Christie's | Paris | Collection Jacqueline Matisse Monnier | 10 | $****** - ****** | Petite tête de Marie-Laure de Noailles sur socle |
sculpture
12.1 x 5 cm (4.76 x 1.97 in)
plaster
Pierre Matisse Gallery, New York (acquis auprès de l'artiste).
Pierre Matisse, New York.
Puis par descendance.
B. Lamarche-Vadel, Alberto Giacometti , Paris, 1984, p. 78 (la version en bronze illustrée, fig. 112).
Y. Bonnefoy, Alberto Giacometti, Biographie d'une œuvre , Paris, 1991, p. 284, no. 258 (la version en bronze illustrée).
A. Schneider, éd., Alberto Giacometti, Sculpture, Paintings, Drawings , New York, 1994, no. 43 (la version en bronze illustrée).
S. Nordgen, Alberto Giacometti, Skulpturer, Mälningar, Teckningar , Stockholm, 1994, p. 95 et 221 (une autre version illustrée, p. 95).
T. Mathews, Alberto Giacometti, The Art of Relation , Londres, 2014, p. 120, no. 20 (la version en bronze illustrée).
Base de données de la Fondation Alberto et Annette Giacometti, no. AGD 4409.
Alberto Giacometti (1901-1966)
Petite tête de Marie-Laure de Noailles sur socle
plâtre
12.1 x 5 x 5.3 cm.
Conçu et exécuté vers 1946; cette œuvre est unique
plaster
4 7⁄8 x 2 x 2 1⁄8 in.
Conceived and executed circa 1946; this work is unique
