Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 13, 2013 | Christie's | New York | Post-War and Contemporary Afternoon Session | 451 | $****** - ****** | Untitled (You are an experiment in terror) | |||
Nov 8, 2004 | Phillips | New York | Veronica's Revenge - Contemporary Photographs | 119 | $****** - ****** | Untitled (You are an experiment in terror) |
photographs
104.1 x 142.2 cm (40.98 x 55.98 in)
gelatin silver print in artist's frame
Annina Nosei, New York. Barbara Gladstone Gallery, New York. Lambert Collection, Avignon. Their sale (Veronica's Revenge: Contemporary Photography from the Lambert Collection)
Phillips de Pury & Company New York, 9 November 2004, lot 119. Acquired at the above sale by the present owner.
Espai d'art Contemporani de Castello, Micro Politics: Art & Everyday Life (1969-2001), January-September 2003.
I. Blazwick, S. Nairne, C. Owens and J. Weinstock, Barbara Kruger: We Won't Play Nature to your Culture, London, 1983, p. 55 (illustrated). E. Janus, ed., Veronica's Revenge: Contemporary Perspectives in Photography, Zurich-Berlin-New York, 1998, p. 57 (illustrated).
