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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| May 17, 2023 | Girl in Mirror | 1 | Phillips | New York | |||
Prints & Multiples
106.4 x 106.4 x 2.9 cm (41.88 x 41.88 x 1.13 in)
porcelain enamel on steel
signed and dated "rf Lichtenstein 1964" on the reverse
Leo Castelli Gallery, New York
Private Collection (acquired from the above in December 1964)
Leo Castelli Gallery, New York (acquired from the above in 1979)
Gabriel Levinas, Buenos Aires (acquired from the above in 1980)
Leo Castelli Gallery, New York and Peder Bonnier, Inc.
Private Collection (acquired from the above in 1983)
Gagosian Gallery, New York
Private Collection, New York (acquired from the above in 2009)
Gagosian Gallery, New York
Acquired from the above by the present owner in 2019
Amsterdam, Stedelijk Museum (no. 48, n.p.); London, The Tate Gallery (no. 48, p. 51); Kunsthalle Bern; Hannover, Kestner-Gesellschaft, Roy Lichtenstein , November 4, 1967-May 19, 1968 (another example exhibited)
Washington D.C., The Corcoran Gallery of Art, Ten Years: The Friends of the Corcoran , October 23-November 21, 1971, no. 50, n.p. (another example exhibited; erroneously numbered from an edition of 5)
Brussels, Palais des Beaux-Arts, American Art in Belgium , May 25-August 28, 1977, no. 83, p. 165 (another example exhibited and illustrated, p. 80)
Norfolk, The Chrysler Museum, American Figure Painting 1950-1980 , October 17-November 30, 1980, pp. 89, 113 (another example exhibited and illustrated, p. 97; erroneously dated 1965 and numbered from an edition of 6)
Fort Collins, Colorado State University, Roy Lichtenstein at Colorado State University, April 1-30, 1982, no. 7, p. 2 (another example exhibited and illustrated, p. 13)
Aspen Institute, Roy Lichtenstein , July-September 1997 (another example exhibited)
Rome, Chiostro del Bramante; Milan, Padiglione di Arte Contemporanea; Trieste, Museo Revoltella; Roy Lichtenstein: Riflessi- Reflections (no. 45, pp. 28-29; another example exhibited and illustrated, p. 103); then traveled as, Kunstmuseum Wolfsburg, Roy Lichtenstein Spiegelbilder 1963-1997 (pp. 15, 39-40; another example exhibited and illustrated, p. 65), December 21, 1999-January 21, 2001
Seattle Art Museum, Seattle Collects Lichtenstein , January 20-May 14, 2000, no. 20 (another example exhibited)
New York, Gagosian Gallery, Lichtenstein: Girls , May 12-June 28, 2008, pp. 62, 85 (another example exhibited and illustrated, p. 63)
Florence, Museo Novecento, Passione Novecento. Da Paul Klee a Damien Hirst , September 22, 2022-January 8, 2023 (another example exhibited)
Carbondale, Powers Art Center, American Pop Art , November 29-December 22, 2022 (another example exhibited)
Ellen H. Johnson, "The Image Duplicators-Lichtenstein, Rauschenberg and Warhol," Canadian Art , vol. XXIII, no. 100, January 1966, p. 12 (another example illustrated)
“Roy Lichtenstein: Girl in Mirror,” ARTnews Annual , vol. XXXI, New York, October 1966, pl. 54, n.p. (another example illustrated, p. 54)
Alberto Boatto and Giordano Falzoni, eds., Lichtenstein , Rome, 1966, pp. 18, 56, 94 (another example illustrated on the cover)
C. H. Waddington, Behind Appearance: A study of relations between painting and the natural sciences in this century , Cambridge, 1970, no. 116, p. 200 (another example illustrated)
Diane Waldman, Roy Lichtenstein , New York, 1971, no. 114, p. 23 (another example illustrated, n.p.; erroneously numbered from an edition of 6)
Roy Lichtenstein, 1970-1980 , exh. cat., The Saint Louis Art Museum, Saint Louis, 1981, pp. 8, 21, 173 (another example illustrated, p. 16)
Leo Castelli Gentle Snapshots , exh. cat., Galerie Bruno Bischofberger, Zurich, 1982, p. 58 (Leo Castelli Gallery, New York, 1965, installation view of another example illustrated)
Dick Hebdige, Hiding in the Light: On Images and Things , London and New York, 1988, p. 135 (another example illustrated)
John Yau, “The Phoenix of The Self,” Artforum , vol. XXVII, no. 8, April 1989, p. 151
Kodansha Ltd., Contemporary Great Masters: Roy Lichtenstei n, Tokyo, 1992, pl. 5, pp. 93, 113 (another example illustrated, n.p.; another example illustrated on the title page)
Aaron Betsky, Three California Houses: The Homes of Max Palevsky , New York, 2002, p. 80 (installation view another example illustrated; installation view in Max Palevsky's home illustrated on the inside back cover)
Michael Lobel, Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art , New Haven and London, 2002, fig. 84, pp. 132-133, 136, 139, 154, 164 (another example illustrated, p. 135; erroneously numbered from an edition of 6)
Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997 , New York, 2002, p. 33
Linda Hales, “A Visual Conversation,” Home & Design Magazine , November-December 2007, online (erroneously numbered from an edition of 6)
“Roy Lichtenstein at Gagosian,” The New York Times , June 10, 2008, online (another example illustrated)
Diane Solway, “Art, Drugs, And Rock 'N' Roll,” W Magazine , November 1, 2010, online (another example illustrated)
Roy Lichtenstein Reflected , exh. cat., Mitchell-Innes & Nash, New York, 2010, pp. 49, 53 (another example illustrated, p. 52)
Johanna Burton, Sonia Campagnola and Marilyn Minter, Marilyn Minter, New York, 2010, p. 62 (another example illustrated)
Roy Lichtenstein: A Retrospective , exh. cat., The Art Institute of Chicago, Chicago, 2012, pp. 97, 363
Judicaël Lavrador, “Sous l'exubérance des toiles, une précision maniaque,” Beaux Arts , Paris, 2013, pp. 18-19 (another example illustrated)
Elizabeth Stamp, “A Rare Behind-the-Scenes Peek into Roy Lichtenstein's Creative Process,” Architectural Digest , May 6, 2019, online (another example illustrated)
Avis Berman, Roy Lichtenstein: The Impossible Collection , New York, 2019, no. 38, p. 192 (illustrated, n.p.)
signed and dated "rf Lichtenstein 1964" on the reverse
porcelain enamel on steel
41 7/8 x 41 7/8 x 1 1/8 in. (106.4 x 106.4 x 2.9 cm)
Executed in 1964, this work is number 1 from an edition of 8 plus 2 artist's proofs.
